Goldeneye: Original Motion Picture Soundtrack From The United Artsits Film [Soundtrack] [Import] [PR]

Eric Serra
レーベル： Virgin Records Us
CD
発売日： 1995年11月14日(火)
画像： 大 中
◎関連『映画・ドラマ』タイトル
◎曲目リスト
  1. Goldeneye
  2. The Goldeneye Overture: Part 1: Half Of Everything Is Luck/Part 2: The Other Half Is Fate/Part 3...
  3. Ladies First
  4. We Share The Same Passions: Part 1: The Trip To Cuba/Part 2: The Same Passions
  5. A Little Surprise For You: Part 1: Xenya/Part 2: D.M. Mychkine
  6. The Savernaya Suite: Part 1: Among The Dead/Part 2: Out Of Hell/Part 3: The Husky Tribe
  7. Our Lady Of Smolensk
  8. Whispering Statues Part 1: Whispers/Part 2: Two Faced
  9. Run, Shoot, and Jump
  10. A Pleasant Drive in St. Petersberg
  11. Fatal Weakness
  12. That's What Keeps You Alone
  13. Dish Out Of Water: Part 1: A Good Squeeze/Part 2: The Antenna
  14. The Scale To Hell: Part 1: Boris And The Lethal Pen/Part: 2: I Am Invincible
  15. For Ever, James
  16. The Experience Of Love
◎レビュー (Amazon)
The James Bond film franchise has had more than one overarching cultural icon to surmount. While Sean Connery's Bond may forever be the standard by which all others are judged, John Barry set an equally high musical standard with his elegantly sophisticated Bond scores. But by the time Pierce Brosnan took his belated, fifth-generation shot at Bondom, the producers of the series felt the need to modernize its music. That daunting task fell to modern musical synthesist Eric Serra, the accomplished longtime collaborator of French director Luc Besson (Le Femme Nikita, The Professional, The Fifth Element, and particularly The Big Blue). And the French musician tackled it with his adventurous spirit of genre-hopping only slightly muted. If anything, the incorporation of an orchestra into Serra's trademark blend of tense electronica, industrial dance beats, and exotic music samples seems like an effort (foisted upon him by the producers?) to move Bond into the 21st century, yet retain some semblance of his 1960s roots. It's a game effort of genre reinvention that's been unfairly trashed by many of the Bond overfaithful, but it's one that Serra admirers will find instantly inviting. --Jerry McCulley
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