More Music From Braveheart (1995 Film) [Soundtrack] [Import] [PR]

James Horner
レーベル: Decca
CD
発売日: 1997年10月7日(火)
画像: 大 中

◎関連『映画・ドラマ』タイトル
◎曲目リスト
  1. I Shall Tell You Of William Wallace - London Symphony Orchestra
  2. Outlawed Tunes On Outlawed Pipes - London Symphony Orchestra
  3. The Royal Wedding - London Symphony Orchestra
  4. The Trouble With Scotland - London Symphony Orchestra
  5. Scottish Wedding Music - London Symphony Orchestra
  6. Prima Noctes - London Symphony Orchestra
  7. The Proposal - London Symphony Orchestra
  8. Scotland Is Free - London Symphony Orchestra
  9. Point Of War, Johnny Cope, Up In The Morning Early - 1st Battalion Queen's Own Cameron Highlanders
  10. Conversing With The Almighty - David O'Hara, Mel Gibson, Brendan Gleeson, James Cosmo
  11. The Road To The Isles, Glendaural Highlanders, The Old Rustic Bride By The Mill - 1st Battalion Queen's Own Cameron Highlanders
  12. Sons Of Scotland - London Symphony Orchestra
  13. Vision Of Murron - London Symphony Orchestra
  14. Unite The Clans - London Symphony Orchestra
  15. The Legend Spreads - London Symphony Orchestra
  16. Why Do You Help Me - London Symphony Orchestra
  17. For The Love Of A Princess - London Symphony Orchestra
  18. Not Every Man Really Lives - London Symphony Orchestra
  19. The Prisoner Wishes To Say A Word - London Symphony Orchestra
  20. After The Beheading - London Symphony Orchestra
  21. You Have Bled With Wallace - London Symphony Orchestra
  22. Warrior Poets - London Symphony Orchestra
  23. Scotland The Brave - London Symphony Orchestra
  24. Leaving Glenhurghart - 1st Battalion Queen's Own Cameron Highlanders
  25. Kirkhill - 1st Battalion Queen's Own Cameron Highlanders

◎レビュー (Amazon)
Unlike Back To Titanic, this sequel album tries to tell a complete story, drawing in large amounts of external material "to keep the spirit of William Wallace ... alive, and to further enhance your listening pleasure". That actually means five tracks of traditional bagpipe music (totalling 17 minutes of the running time), that have nothing to do with the film. There are also numerous cuts of dialogue. Genuine fans of the movie and score will no doubt be delighted by the whole concept of this album. Anyone simply looking for more of James Horner's music will be disappointed. "Scottish Wedding Music" is a nice enough background jig, but the remaining pieces are really reprises of material on the original soundtrack--from which there are also plenty of cues copied across. --Paul Tonks
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