The Best Of Godzilla 1984-1995: Original Film Soundtracks [Soundtrack] [Import] [PR]

Various Artists、伊福部昭、小六禮次郎、すぎやまこういち、服部隆之、デービット・ハウエル
レーベル： Gnp Crescendo
CD
発売日： 1998年2月17日(火)
画像： 大 中
◎関連『映画・ドラマ』タイトル
◎曲目リスト
  1. Godzilla's Theme (From Godzilla Vs. King Ghidorah)
  2. The Return Of Godzilla: Main Title
  3. The Return Of Godzilla: Take Shelter5/Godzilla Vs. Super X
  4. The Return Of Godzilla: Japanese Army March
  5. The Return Of Godzilla: Godzilla's Exit
  6. The Return Of Godzilla: Ending
  7. Godzilla Vs. Biollante: Scramble March
  8. Godzilla Vs. Biollante: Bio Wars
  9. Godzilla Vs. Biollante: Ending
  10. Godzilla Vs. King Ghidorah: Main Title/UFO Invasion
  11. Godzilla Vs. King Ghidorah: King Ghidorah Attacks Fukuoka
  12. Godzilla Vs. King Ghidorah: Get King Ghidorah
  13. Godzilla Vs. Mothra: Main Title
  14. Godzilla Vs. Mothra: Mahara Mothra
  15. Godzilla Vs. Mothra: Mesa March
  16. Godzilla Vs. Mothra: Rolling Title Ending
  17. Godzilla Vs. Mothra: Mothra's Song
  18. Godzilla Vs. Mechagodzilla II: Main Title
  19. Godzilla Vs. Mechagodzilla II: G-Force March #1
  20. Godzilla Vs. Spacegodzilla: Prologue/Main Title
  21. Godzilla Vs. Spacegodzilla: Bass Island
  22. Godzilla Vs. Spacegodzilla: Mogera Vs. Spacegodzilla #2
  23. Godzilla Vs. Spacegodzilla: Mogera Vs. Spacegodzilla #3
  24. Godzilla Vs. Spacegodzilla: Crystal
  25. Godzilla Vs. Destoroyah: Main Title/Hong Kong's Destruction
  26. Godzilla Vs. Destoroyah: Attack Of Super X III
  27. Godzilla Vs. Destoroyah: Mesa Tank Super Freeze Attack
  28. Godzilla Vs. Destoroyah: Requiem
  29. Godzilla Vs. Destoroyah: Ending Title
  30. Monster Zero March
◎レビュー (Amazon)
Godzilla, the beast that even a big-budget Hollywood stinkeroo couldn't kill, has been many things in his (her?) illustrious career: nuclear allegory, loving parent, neighborhood pest, property insurance exemption clause. But has-been? That's what many cynics were calling the Big Lizard by the late '70s. Resurrecting their cash, er, cow after a nine-year hiatus in the mid-'80s, Japan's Toho Studios wisely moved away from the tired stock footage, cheap effects, and kiddie-corn plot lines that had come to characterize the series, moving the final seven sagas back to the deadly-serious aesthetic of the original. Ironically, as Gojira's handlers got back to their cinematic roots, the films' music initially moved closer to the Hollywood mainstream, including healthy doses of heroic Korngold-esque romanticism and even screaming, diddly-squeak-school metal guitar. But after the more modern, if questionably effective efforts of Reijiroh Koroku and Kohichi Sugiyama (for Return of Godzilla and Godzilla vs. Biollante, respectively), Gojira music godfather Akira Ifukube returned to score four of the series' last five installments, truly bringing the saga full circle; the man who had musically brought the monster to life 41 years earlier was gratifyingly now allowed to write its moving Requiem. The annotation and illustration (which equals the high standards of its companion volume 1954-1975) are even more crucial here, as most of these "second cycle" films have seen but spotty distribution outside their native Japan. --Jerry McCulley
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