Close Encounters: Film Music Collection [Double CD] [Soundtrack] [Import] [PR]

Various Artists
レーベル： Silva America
CD
発売日： 1999年6月22日(火)
画像： 大 中
◎関連『映画・ドラマ』タイトル
◎曲目リスト
ディスク：1
  1. Indiana Jones And The Temple Of Doom: End Credits
  2. Saving Private Ryan: Hymn To The Fallen
  3. Hook: Main Themes
  4. Hook: When You're Alone
  5. The Cowboys: Overture
  6. Born On The Fourth Of July: End Credits
  7. Family Plot: End Titles
  8. JFK: Arlington
  9. JFK: End Titles
  10. Empire Of The Sun: Exsultate Justi
  11. The Rare Breed Suite: Universal Emblem/Hilary's Plight/Double Crossed/Tallow Ho
  12. The Rare Breed Suite: Scottish Romeo/The Hunt
  13. The Rare Breed Suite: On His Own
  14. The Rare Breed Suite: The Cross-Breed/End Credits
ディスク：2
  1. The Towering Inferno: Main Theme
  2. Amistad: Dry Your Tears Afrika
  3. Superman: Love Theme
  4. Superman: Main Theme
  5. The River: Main Theme/Love Theme
  6. Black Sunday: Suite: Fugue, Scherzo & Finale
  7. Jaws: Main Theme
  8. Star Wars Suite: Star Wars: Main Title
  9. Star Wars Suite: The Empire Strikes Back: Han Solo & The Princess
  10. Star Wars Suite: The Empire Strikes Back: Imperial March
  11. Close Encounters Of The Third Kind: The Conversation Begins/Main Title/Resolution And Finale
  12. Presumed Innocent: End Titles
  13. Schindler's List: Theme
  14. Indiana Jones And The Last Crusade: End Credits
◎レビュー (Amazon)
As Star Wars-mania gripped the world once again in 1999 Silva Screen opportunely released this well-rounded selection from the fertile career of the composer whose vibrant music has played its own special part in the Star Wars phenomenon. This extra-value double album features extracts from most of John Williams' greatest hits from the 1970s--Close Encounters of the Third Kind, Superman, Jaws and of course Star Wars--along with more recent, more sober scores like Saving Private Ryan, JFK, Amistad and Born on the Fourth of July. But the main attraction of this rewarding set lies in the inclusion of less frequently recorded items like the exhilarating opening from The Towering Inferno, the brawny "Overture" from The Cowboys, the playful finale from Hitchcock's Family Plot, the swashbuckling Hook and the edgy theme from Presumed Innocent. The earliest title, though, is The Rare Breed from 1966, Williams' first big screen western and a lively example of his developing talent. Even if they cannot match the composer's own peerless soundtrack recordings, the Prague orchestra's vigorous, crisply recorded performances, will not disappoint. --Robert Seeley
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