How the Grinch Stole Christmas: Original Motion Picture Soundtrack (2000 Film) [Soundtrack] [Import] [PR]

James Horner
レーベル: Interscope Records
CD
発売日: 2000年11月7日(火)
画像: 大 中

◎関連『映画・ドラマ』タイトル
◎曲目リスト
  1. Movie Dialogue: Kids Today
  2. Grinch 2000
  3. Green Christmas
  4. Christmas Of Love
  5. Lonely Christmas Eve
  6. Movie Dialogue: Grinch Schedule
  7. Better Do It Right
  8. Whoville Medley (Perfect Christmas Night/Grinch)
  9. Movie Dialogue: Reindeer
  10. Christmas Is Going To The Dogs
  11. You're A Mean One, Mr. Grinch
  12. Movie Dialogue: Christmas Means More
  13. You Don't Have To Be Alone
  14. Where Are You Christmas?
  15. The Shape Of Things To Come (Includes 'Happy Who-lidays')
  16. Memories Of A Green Childhood
  17. Christmas, Why Can't I Find You?
  18. Stealing Christmas
  19. The Big Heist
  20. Does Cindy Lou Really Ruin Christmas?
  21. A Change Of The Heart
  22. The Sleigh Of Presents
  23. He Carves The Roast Beast (Includes 'Welcome Christmas')

◎レビュー (Amazon)
Dr Seuss' children's story always possessed a musical quality. This movie adaptation throws everything into the pot to appeal to most tastes. What's interesting about the approach is having more typically adult-oriented artistes mixing in for the kiddies. Barenaked Ladies get a little Sesame Street wholesomeness going ("Green Christmas" with Jim Carrey), Smash Mouth offer an infectious rhythmically propelled warning about being good for Santa ("Better Do it Right") and The Eels enjoy a scratchy whine about commercialism ("Christmas is Going to the Dogs"). In between are jokey dialogue extracts and an OTT Carrey version of the classic "You're a Mean One Mr Grinch". With so much upbeat fun being had, the dreamy vocals of N Sync ("You Don't Have to be Alone") and Faith Hill ("Where Are You Christmas?") don't really seem to belong. The album's second half is orchestral score from James Horner, seemingly having the most fun since Honey I Shrunk the Kids. Everything comes together best in "Stealing Christmas" as narrator Anthony Hopkins and Carrey interact over highly comedic underscore. --Paul Tonks
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