Anthology [Double CD] [Import] [PR]

Bobby Blue Bland
レーベル： Mca
CD
発売日： 2001年6月5日(火)
画像： 大 中
◎関連『映画・ドラマ』タイトル
◎曲目リスト
ディスク：1
  1. Lovin' Blues
  2. It's My Life Baby
  3. I Woke Up Screaming
  4. You've Got Bad Intentions
  5. I Smell Trouble
  6. Farther Up The Road
  7. Little Boy Blue
  8. I'm Not Ashamed
  9. I'll Take Care Of You
  10. Lead Me On
  11. Cry, Cry, Cry
  12. I've Been Wrong So Long
  13. I Pity The Fool
  14. Don't Cry No More
  15. Ain't That Lovin' You
  16. Who Will The Next Fool Be?
  17. Stormy Monday Blues
  18. Turn On Your Love Light
  19. Yield Not To Temptation
  20. 36-22-36
  21. Call On Me
  22. That's The Way Love Is
  23. Ain't Nothing You Can Do
  24. Share Your Love With Me
  25. Blind Man
  26. Ain't Doin' Too Bad, Part 1
  27. These Hands (Small But Mighty)
  28. I'm Too Far Gone (To Turn Around)
  29. Good Time Charlie (Part 1)
ディスク：2
  1. Poverty
  2. You're All I Need
  3. That Did It
  4. Driftin' Blues
  5. Save Your Love For Me
  6. Rockin' In The Same Old Boat
  7. Ask Me 'Bout Nothing (But The Blues)
  8. Chains Of Love
  9. If You Got A Heart
  10. Do What You Set Out To Do
  11. Goin' Down Slow
  12. This Time I'm Gone For Good (Live)
  13. Ain't No Love In The Heart Of The City
  14. I Wouldn't Treat A Dog (The Way You Treated Me)
  15. Yolanda
  16. I Take It On Home
  17. It Ain't The Real Thing
  18. Let The Good Times Roll
  19. The Soul Of A Man
  20. Soon As The Weather Breaks
  21. Recess In Heaven
◎レビュー (Amazon)
Over the 1952-82 time-span covered here, Bobby "Blue" Bland united tough-as-pavement blues singing with heartbroken Southern R&B, and helped to create chitlin-circuit soul as we know it now. Too raw for most oldies radio, Bland was a major presence in his time: 30 of these 50 songs hit the pop charts, and almost all of them were significant R&B hits. The first disc-and-a-half documents his long-running Duke Records collaboration (in Chicago, Texas, and Nashville) with trumpeter Joe Scott, who wrote ambitious arrangements that ran from tender love-man pop to howling, honking blues terrorism, but usually gave Bland a chance to emote harder than his microphone could handle. The remainder finds Little Boy Blue on his own in L.A. in the '70s, spicing up smoother blues-inflected soul (and even a stab at light disco, "It Ain't the Real Thing") with the famous squall in his voice. --Douglas Wolk
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