The Mothman Prophecies [Soundtrack] [Import] [PR]
tomandandy
レーベル: Lakeshore Records
CD
発売日: 2002年1月22日(火)
画像: 大 中
◎関連『映画・ドラマ』タイトル
◎曲目リスト
ディスク:1- Half Light (single) - Low with tomandandy
- Wake Up #37 - King Black Acid
- Haunted - King Black Acid
- One and Only - King Black Acid
- Collage - Glen Branca
- Great Spaces - King Black Acid
- Rolling Under - King Black Acid
- Half Life - King Black Acid
- Soul Systems Burn - King Black Acid
- Half Light (tail credit) - Low with tomandandy
ディスク:2- Movement 1: Composed of 12 Members/ Retrace/ A New Home/ MRI/ Welcome To Point Pleasant
- Movement 2: Point Pleasant/ Seeing Strange Things/ It's A Voice And It's Saying, Do Not Be Afraid/ He's Wrong/ Denver 9
- Movement 3: I Had A Dream Like That/ Not From Human Vocal Chords/Zone Of Fear/ Ring Ring/ Leek/ Leek Wouldn't See Me
- Movement 4: All At Once, I Understand, Everything/ Do You Know That Woman?/ The Tape Reveals/ We Are Not Allowed To Know
- Movement 5: It's How I Ended Up Here/ Airport/ I Have To Go
- Movement 6: We Have Dinner At 6, and We Open Presents at 8/ 12:00 Call
- Movement 7: The Bridge
- Movement 8: Mirror Drone/ John's Theme/ Cellos
◎レビュー (Amazon)
Director Mark Pellington hewed close to journalist John A. Keel's unsettling account of a West Virginia town besieged by strange, paranormal events and found his efforts dubbed "The X-Files on Prozac" in some quarters. But as others have pointed out, otherworldly events often have a troubling habit of not adhering to Hollywood formula. Thankfully, the film's ambitious, double-CD soundtrack also breaks with convention. Disc 1 compiles tracks by Minnesota slowcore trio Low and Oregon's neo-psych King Black Acid into a hypnotic, almost seamless song collage of near Floyd-ian scale. It's a rewarding experiment that eschews musical histrionics for a mood-evoking axis of subtle dynamics and dreamy vocal intrigue. The second disc features the brooding score-proper of techno artists/sound designers/film scorers Tomandandy (Tom Hajdu and Andy Milburn), who further explore the same sample-rich, industrial-creepy atmospherics they did on Pellington's previous Arlington Road. --Jerry McCulley
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