King of Kings [Original recording remastered] [Soundtrack] [Import] [PR]

Miklos Rozsa
レーベル： Rhino / Wea
CD
発売日： 2002年3月11日(月)
画像： 大 中
◎関連『映画・ドラマ』タイトル
◎曲目リスト
ディスク：1
  1. Overture
  2. Prelude
  3. Roman Legions
  4. The Elders/Sanctuary
  5. The Scrolls/Subjagation
  6. Road To Bethlehem/The Nativity
  7. The Slaughter Of Innocents
  8. Joseph & Mary
  9. Pontius Pilate's Arrival
  10. John The Baptist
  11. Revolt/Barabbas' Escape
  12. Baptism Of Christ/Sadness And Joy
  13. The Last Temptation Of Christ
  14. The Chosen
  15. Herod's Feast
  16. Miracles
  17. The Hovel
  18. Parable Of The Seed
  19. Mary Madalene/Answer From A Stone
  20. The Blessing
  21. Casting Out The Demon
  22. Woman Of Sin
  23. John's Message
  24. Jugglers & Tumblers/Herod's Desire
  25. Salome's Dances
  26. Christ's Answer/The Beheading Of John
  27. Salome's Dance #6 (deleted reprise)
  28. Mount Galilee/Sermon On The Mount/Love Your Neighbor
  29. The Law Of The Prophets
ディスク：2
  1. The Lord's Prayer
  2. The Disciples
  3. Barabbas' Plan
  4. Entr'acte
  5. Premonition
  6. Jesus Enters Jerusalem/A Tempest In Judea/Defeat/Phalanx/False
  7. Judas Sees Caiphas/Gethsemane
  8. Agony In The Garden/Judas' Kiss
  9. Herod's Castle Trumpet
  10. Christ Before Herod
  11. The Scourging Of Christ/Crown Of Thorns
  12. Via Dolorosa/Christ Bearing His Cross
  13. Last Words Of Christ/Golgotha/The Pieta/The Sepulcher/Resurrection
  14. Epilogue
◎レビュー (Amazon)
To call Hungarian-born film composer Miklos Rozsa the musical king of historical epics would hardly be hyperbole; Ben-Hur alone might have earned him the title. Recorded just two years after Hur, Rozsa's score to MGM's typically grand retelling of Christ's life was a worthy, sweeping orchestral bookend to the studio's previous Biblical-themed success. But its original soundtrack release was another matter: a vastly inferior European recording that crudely cut together but 40 minutes of Rozsa's musical cues. This richly annotated Turner Classic Movies/Rhino Records double-disc corrects that shortcoming (and an early '90s abridged version of the original score) and then some, collecting together for the first time Rozsa's complete MGM studio recordings for the film. Mastered from the studio's original multitracks, the sound is nothing short of spectacular, the sweeping scope of Rozsa's cues a tribute to what often seems a dying art form. Indeed, the melodic themes and dramatic, orchestral thunder here could power a half-dozen contemporary CGI-fueled actioners. --Jerry McCulley
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