The Salton Sea [Soundtrack] [Import] [PR]

Thomas Newman
レーベル： Varese Sarabande
CD
発売日： 2002年4月30日(火)
画像： 大 中
◎関連『映画・ドラマ』タイトル
◎曲目リスト
  1. Perpetual Night Party
  2. Tweaker Crash
  3. Undress Revised
  4. First Wife
  5. IFORGIV
  6. Glock Semi-Automatic
  7. Gun Cemetery
  8. Queen Elizabeth
  9. School Teacher
  10. Palmdale Monty
  11. Night Vision
  12. Salton Sea
  13. One Red Hair
  14. Dead Bobby
  15. Saeta
  16. Colombian Necktie
  17. Badger
  18. Undress Original
  19. Hole In The Head
  20. Last Wife
  21. Gutshot
  22. Linoleum/Walk To Black
  23. Learn To Yodel
◎レビュー (Amazon)
This dank-as-style contemporary film noir features most of the genre's familiar ingredients: murder, creepy characters, narrative flashbacks, an identity crisis or two, and a compelling if twisted subculture, in this case the scaly underbelly of the L.A. some speed freaks call home. While the genre has generally relied on dark jazz shadings--or, in the case of David Lynch and Angelo Badalamenti, a hodgepodge of hellish synthscapes and nostalgic irony gone sour--the presence of Thomas Newman here guarantees something more expansive than clich駸, and the young veteran delivers again. Newman's odd, percussion-reliant tack may occasionally be familiar here, but the score's unusually large ensemble allows him a wide timbral palate. He wastes no time infusing the score with jarring industrial rhythms, indistinct ethnic modalities that seem invented out whole cloth, some of Erin Brockovich's spare, Fender Rhodes-driven acid jazz shadings, and great, eerie dollops of the ominous, electro-acoustic soundscapes that have defined so many of his scores, yet without ever descending into caricature. Newman mixes it all into a hypnotic sonic cocktail that's as nervy as it is unsettling, one that zigs when you're sure it will zag, offering up some strangely reassuring musical comfort in a world of moral indifference and dramatic detachment. -褒erry McCulley
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