The Prisoner [Soundtrack] [Import] [PR]

Robert Farnon、Wilfred Josephs
レーベル: Silva America
CD
発売日: 2002年11月12日(火)
画像: 大 中

◎関連『映画・ドラマ』タイトル
◎曲目リスト
  1. Main Titles
  2. What’s The Name Of This Place (Dialogue)
  3. The Cottage Maid Is Seen
  4. The Band Appears (Radetski March)
  5. I Suppose You're Wondering (Dialogue)
  6. Number 6 In The Cottage
  7. The Band Concert
  8. Afternoon Concert
  9. I Will Not Make Any Deals With You (Dialogue)
  10. Helicopter Escape Bid
  11. Subject Shows Great Enthusiasm (Dialogue)
  12. Unused Title Theme
  13. I Am Not A Number (Dialogue)
  14. Number 6 Hates The Tune
  15. Night-Time Drink
  16. Do You Still Think You Can Escape, No. 6 (Dialogue)
  17. Number 8 Swims Off
  18. Number 6 Chops Down The Tree
  19. Village Curfew
  20. There Are Some People Who Talk (Dialogue)
  21. Exhibition Hall
  22. The Dinghy Casts Off
  23. The Village Is A Place Where People Turn Up (Dialogue)
  24. Crate Journey
  25. Back To The Cottage
  26. Engadine’s Party
  27. Number 6 Dances With 'B’
  28. Number 6 Is Drugged
  29. Dreamy Party
  30. End Titles

◎レビュー (Amazon)
Patrick McGoohan's enigmatic 1967 TV miniseries about a spy who resigns his duties, only to be kidnapped and imprisoned in a seemingly idyllic seaside resort of undetermined national affiliation remains one of the medium's most compelling parables about individuality and the dangers of creeping conformity. Longtime fans of the cult show should welcome this first volume of the show's quirky, distinctive musical scores. Anchored by Ron Grainer's propulsive main and end titles, this volume features musical highlights of three Prisoner episodes ("Arrival," "Chimes of Big Ben," "A, B and C") as well as key snippets of dialogue. The cues here span library stock cues and the work of a number of British TV composers, ranging from tortuously treacly Muzak and jolly marching band music (Strauss's "Radetzky Waltz" in particular) to '60s jazz exotica, orchestral music, and spooky lullabies. As utilized by music editor Eric Mival in the show's unsettling context, it's the stuff of authoritarian-inspired nightmares--and some of the most consistently successful uses of musical irony in TV history. Also includes an unused main theme and informative illustrated booklet. --Jerry McCulley
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