Bobby [Soundtrack] [Import] [PR]

Various Artists
レーベル: Island
CD
発売日: 2006年11月21日(火)
画像: 大 中

◎関連『映画・ドラマ』タイトル
◎曲目リスト
  1. A Generous and Compassionate Country (RFK Speech)
  2. Aretha Franklin & Mary J. Blige feat. The Harlem Boys Choir - "Never Gonna Break My Faith"
  3. Smokey Robinson & The Miracles - "Tracks Of My Tears"
  4. The Supremes - "Come See About Me"
  5. Shorty Long - "Function At The Junction"
  6. Hugh Masekela - "Grazing In The Grass"
  7. Stevie Wonder - "I Was Made To Love Her"
  8. The Moody Blues - "Tuesday Afternoon (Forever Afternoon)"
  9. Los Bravos - "Black Is Black"
  10. Marvin Gaye - "Ain't That Peculiar"
  11. Aretha Franklin - "Baby, I Love You"
  12. Demi Moore - "Louie Louie""
  13. Mark Isham "No One Left But Bobby"
  14. Simon & Garfunkel - "The Sound Of Silence"
  15. Mark Isham "The Mindless Menace of Violence" and `On The Mindless Menace Of Violence' (RFK Speech)

◎レビュー (Amazon)
If the movie Bobby is director Emilio Estevez's nostalgic attempt at celebrating his father's generation, the accompanying soundtrack makes for one amazing goody bag. There's no arguing the greatness of the classics that it collects, like Smokey Robinson & the Miracles' "Tracks of My Tears," Stevie Wonder's "I Was Made to Love Her," and Simon & Garfunkel's "The Sound of Silence." But even among the tracks that aren't instantly evocative of 1968, a certain era-specific sense of intrigue seeps through--it's there on Demi Moore's titillating and surprisingly well-done "Louie Louie" and again on Mark Isham's mournful but beautiful "No One Left but Bobby." Best of all, though, is the juxtaposition of the oldies with Aretha Franklin and Mary J. Blige's "Never Gonna Break My Faith," featuring the Harlem Boys Choir. "You can cast the first stone, you can break my bones / But you're never gonna break my faith," the powerhouse that is Ms. Franklin sings; a minute later, Mary J. underscores the point with gut-busting certitude (nobody knows struggle like Mary J.). That line alone is enough to give listeners chills. Enough, too, to convince them that, as gripping as music was in 1968, 2006 may not be far behind. --Tammy La Gorce
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